“I always considered that an ancient context such as the Tetouan medina was sort of like a museum: an obsolete environment that is no longer inhabitable.
I often observe these tourists who come from around the world to enjoy, with a certain emotion, this ambiguous journey through time and space.
The fact I see things this way is probably due to the fact I was born and grew up in a neighbourhood that is completely different from the urban setting of the medina. So I really wanted to embody one of these protagonists in an imaginary medieval scenario.
For the past three years, I have oriented my research to- wards architecture and urban- ism. With my works, I create a sort of phantasmagorical fiction that is also a story in the news.
The way in which the real estate sector plays a part in the current economic and social crisis concerns me, and I reflected upon the usefulness of building and demolishing, upon architecture and its relations to religion, politics, the economy, etc.
The project I developed during my residency is called New Mythology. Since I’m pushing my aesthetic research towards illusion, the implacability of reality and the spectacular absurdity, I worked according to a paradox that turns the medina into an ultra-modern urban fabric: like some sort of memory/transformation that we didn’t experience.”
Born in 1983 in Casablanca, he lives and works in Tetouan.
Since 2012, Said Afifi has explored the tenets of postmodernist architecture, often adding a chaotic and utopian dimension to the genre, drawing outlines of a cold and sterile aesthetic.
While maintaining a position of observer, he tries to question the political, social and economic circumstances that have led to the advent of ultra-modernist architecture.
In the Donatella series, Afifi evokes the issues behind chirurgical procedures that are planned as architectural process, and the impact of this pursuit of a perfect aesthetic on the evolution of human species.
Courtesy: The artist