“I am like one who wore his brick to show the world how was his home.” Bertolt Brecht
Often I was asked this question: how do I see myself as an artist? My answer has always been the same: I consider myself an immigrant worker. My job is to consider what it is to be an artist, when he feels different from in his own cultural context, even in his own role.With this necessity, this permanent need to think of exile, the project of the Exile Pavilion was born, as a traveling project, offering a parallel cartography, a free geography of temporary exhibitions, with stops in different countries. The project raises the question of the exile as a new space to be reinvented, to be rethought and finally to be invested. He wants to question both the global and specific links between various forms of displacement, whether the migrant worker’s situation, the expatriate, the refugee or the exile of war, natural disasters, economical problems, and political or racial persecutions.The Exile Pavilion wants to invest and cross all boundaries, revisiting the experiences of the exile and reactivate the traces in history. Where does the exile begin and where does it end? Are we all equal against the displacement and exile? And from who are we exiles?The Exile Pavilion does not exist as an architectural building even if the proposal is made for architects to imagine. But it is the works of artists, visual artists, musicians, poets, writers, performers they are exiles or their work deals with the displacement, which build together this protean and nomadic pavilion. Its journey will make layovers at artistic structures, institutions, ephemeral places, in the form of exhibitions, publications and meetings. At each stop, the works and archival materials are redesigned according to the place and its history.
Today or any day that phone may ring and bring good news.
Ethel Waters
Press
Another 7 days to discover Mounir Fatmi's Pavilion of Exile in Tangier, Tanger Experience, August 8th, 2017.
Stella, Berger, From exile I made glasses to see, Dyptik, n°35, Oct-Nov 2016, pp. 36-38.
Contact
Studio Fatmi Paris Phone and Fax: +33 (0)9 52 78 14 92
mounir fatmi fatmi.mounir@studiofatmi.com
Project Assistant Laura Pandolfo laura@studiofatmi.com
This website was designed by Untitled Duo
Jean-Baptiste Audat
REPOS DES NATIONS
Sculpture, mattress, sheets
2017
Courtesy: The artist
A mattress.
Single, 90 centimetres. All the flags in the world are represented, printed. The mattress is on a bed base made of metal grids in which are inserted articles from the newspaper Le Monde. Stock markets, pension funds, health, companies, profits, investments... stacked one meter high. To sleep on a mattress of cash, dough, moolah.
About the artist
Born in 1950 in Bourges (Cher), Jean-Baptiste Audat. He lives and works in Marseille and Africa. The work of Jean Baptiste Audat is marked by current affairs: politics, economics, ecology, wars and tragedies. So many sources of inspi- ration for a polymorphous work in which drawing, installation and performance combine. Deeply influenced by the African continent, he draws from it an approach of creation based on recovery and resourcefulness. His works speak of the war in Syria, textile factories burned in Bangladesh, the Israeli-Palestinian conflict. The artist cap- tures these dramas, digest them and we retransmit them, highlighting the voices of the nameless.